ABOUT
BIOGRAPHY
Born on July 19, 2002, in Lausanne, Switzerland, my artistic journey began during my teenage years through the discovery of skateboarding, music, and photography. At the age of 17, a pre-apprenticeship at CEPV in Vevey introduced me to ceramics, which soon became a key part of my artistic practice.
During this time, I also lived in a self-managed space—a true place of freedom and expression—where I explored music and organized my first photography exhibitions.
Later, I joined the ceramics program, where I began to develop a deeper artistic reflection, expressed through various mediums such as drawing, photography, and ceramics. Always in search of new forms of expression, an internship in the United States allowed me to strengthen my artistic voice and refine the direction of my future projects.
Alongside this, I was actively involved in the musical project Incense, with which we performed live on several occasions. Today, I continue to nurture my musical practice, while gradually shaping a new project that is currently in development.
ARTIST STATEMENT
As an artist, I explore emotions, their limits, and the impact they can have on our actions. My work highlights the internal tensions between thought and impulse, embodying the duality between control and surrender. Through large-scale sculptures that blend figuration and abstraction, I seek to give form to the immaterial, making visible the weight of emotions on our lives and relationships. These forms question a society structured by power and money, pushing the boundaries of normality and celebrating difference.
Clay plays a central role in my practice. Its malleability and unpredictable nature make it a material that perfectly reflects the struggle between control and spontaneity. The accidental cracks that emerge within the material represent both the consequences of impulses and the beauty of chance. The selection of raw materials for my glazes further supports this dialogue between precision and letting go.
Analog photography complements this approach. Through its irreversible nature, it demands acceptance of the captured moment — a parallel to emotion-driven actions, which leave lasting marks, whether positive or negative. The places and subjects I photograph serve to deepen the meaning of my visual language. Finally, drawing introduces a spontaneous, intuitive dimension, directly tied to lived experience, and therefore less controllable.